Student artist Lee Yan Yu, Lydia is interested in the relationship between people and the city which led her to focus on photography and painting. She believes that expressions and gestures of people are mirrors which reflect the rhythm and development of cities. With the investment in street photography in her art study, she also discovers that there is always a dialogue in between cities and elements composed of social movements and cultures. Among her best-known artworks are those that involve the ‘Labour and Relax’ series, in which she explores the working style and tempo and emotions of the people which echo with the styles of living, working and housing of the Hong Kong people. The ‘moment’ is frozen while the memory continues as she emphasizes. Lydia has a background of studying abroad in England when she was a teenager which enables her to adapt to and embrace different cultures. She greatly considers “art” will be improved when the domain of mind-thoughts is widened and deepened. For her, she considers her belief in God is her personal propellant for her art-creation which is diversified rather than linear. Imagination and inner-power blossom naturally from this central belief.

 

藝術系學生李恩瑜 Lydia對人與城市之間的關係感興趣，導致她將注意力集中在攝影和繪畫上。她認為人們的表情和姿態，正是一面鏡子，反映城市節奏和發展。她把藝術研究投資在街頭攝影上，她還發現城市與社會運動和文化之間總是互相對話。她最著名的作品包括那些涉及“勞動和放鬆”系列的作品，其中她探討了與香港人的生活，工作和住屋風格相呼應的人們的工作風格，節奏和情緒。正如她所強調，這個'時刻'被凍結，但記憶仍在繼續。 Lydia有一個在英國留學的背景，當時她是一個十幾歲的年輕人，這背景能夠讓她適應並接受不同的文化。她深深地認為，當思想領域能拓寬和深化時，“藝術” 作品將會得以改進。對她而言，她認為她對上帝的信仰，成為她個人的推動力，使她的藝術創作得以多元化，而不是直線的思維和模式。個人的想像力和內在力量自然而然地由這種中心觀念燦爛地綻放出來。